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A planting on the estate of E. T. Stotesbury, Esq., Chestnut Hill, Pa.

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A planting on the estate of E. T. Stotesbury, Esq., Chestnut Hill, Pa.
   Jacques Greber, Esq., landscape architect
Landscape Planting by Lewis & Valentine Company

Follow THIS LINK for all past posts on "Whitemarsh Hall".

"ALDER MANOR" RESIDENCE OF WM. B. THOMPSON, ESQ., GREYSTONE, N. Y.

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DETAIL OF MAIN ENTRANCE
RESIDENCE OF WM. B. THOMPSON. ESQ., GREYSTONE, N. Y.
MESSRS. CARRERE & HASTINGS, ARCHITECT

http://www.thelocationcompanyny.com/mansions/9008-am.htm


WROUGHT IRON ENTRANCE DOORS ALL HAND FORGED
RESIDENCE of COLONEL WILLIAM BOYCE THOMPSON GREYSTONE, NEW YORK
 CARRERE AND HASTINGS, ARCHITECTS
 EXECUTED BY JOHN POLACHEK BRONZE & IRON © Distinctive Metal Work
476-494 Hancock St. & 575-591 Boulevard Long Island City, N. Y. 
   

http://www.thelocationcompanyny.com/mansions/9008-am.htm

   William Boyce Thompson was born May 13, 1869, in Alder Gulch, Virginia City, Montana. He would later use the name of his birthplace for his new, grand home in Yonkers.

   His early years were typical of mining towns of that generation. In 1887, at 18, he was sent east to the Phillips Exeter Academy, and upon completion of his studies there enrolled in the Columbia University School of Mines. He later returned to Montana, and was employed by his father in the family's copper and silver mines in Montana and Arizona.

   On February 6, 1895, he married Gertrude Hickman in Butte. Encouraged by success, the couple relocated to New York where he joined the Curb Exchange. Exeter classmates and club members soon introduced him to influential New Yorkers. As he was one of the few people on Wall Street with a comprehensive knowledge of the mining business, he became a successful mining promoter and developed mining properties in Canada and the west and southwest of the U.S. Later he acquired diamond mines in Africa. The Guggenheim Brothers, J.P. Morgan and Bernard Baruch were his sometime business partners. He made an astounding fortune.

   Through a series of land purchases from 1906—1910, he began to acquire properties in Northwest Yonkers. Around 1910 he commissioned the architectural firm of Carrere and Hastings to draw up the plans for his magnificent estate, which he called "Alder Manor".

   The Colonel title was bestowed upon Thompson when he led a Red Cross Commission to Russia after WWI to determine the need for medical supplies and other relief.

   wikimapia location. BING. Follow THIS LINK for an insiders tour from John Foreman's Big Old Houses.

   John Polachek was a Hungarian immigrant making ornamental bronze and iron in Long Island City, L. I. His work was so revered that orders came from banks, theatres and public buildings. Architects as far away as Montreal, Tokyo and Buenos Aires commissioned him to reproduce their designs. Polachek played a part in the consolidation of eleven American foundries, including Tiffany Studios Bronze & Iron Plant, into the General Bronze Corporation.





MARSHALL FIELD BUYS BIG ESTATE

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 AIRPLANE view of the Marshall Field estate, Lloyds Neck, on which the estate is situated, is virtually an island with Long Island Sound, Cold Sprint Harbor, Lloyd Harbor, and Huntington Bar surrounding it. In this south-north view the body of water in the foreground is Lloyd Harbor,with Long Island Sound in the distance. The main entrance to the estate is in the center foreground. To the left center can be seen the greenhouses, kitchen garden, and farm group, and to the right of the group is the estate agent's residence. The winter cottage is hidden by the group of trees almost directly in the center of the picture. Just above these trees is the stable, while the main house, overlooking the Sound, is far off in the distance.(1927) 


MARSHALL FIELD BUYS BIG ESTATE; Pays $1,500,000 for 1,630 Acres Near Huntington, L.I.

BIGGER THAN MACKAY'S

Chicago Merchant Will Occupy the Largest Private Estate on Long Island.


 
June 12, 1921

Marshall Field of Chicago, a grandson of the founder of the great Marshall Field fortune, who recently purchased, a site for a mansion in the Lenox Hill section of Manhattan, has bought a tract of about 1,630 acres of land located on Lloyds Neck, near Huntington, L. I.

  It is understood that the buyer intends to develop the property as a country estate for his own occupancy. This will give Mr. Field the largest private estate on Long Island, the next in size being that of Clarence H. Mackay("Harbor Hill"), who has 700 acres of parked land at Roslyn, and Otto H. Kahn("Oheka"), whose 500-acre estate is at Cold Spring Harbor.


Looking across the broad sweep of lawn toward the main house, with a freshwater pond between the house and the Sound. To the right of the picture the roof of the tennis house can be seen among the trees. The main house stands on a hill that slopes toward the pond.(1927)

  The property acquired by Mr. Field, which has a frontage of more than two miles on Long Island Sound and Lloyds Harbor, includes 1,474 acres sold by the Incorporated Land Company at about $800 an acre.


The house seen from the air over the Sound looking across Lloyds Neck to Cold Spring Harbor. To the right of the house lies the formal garden with the rock garden below it. The roof of the tennis house can be seen at the left. The gamekeeper's house and kennels appear in the center background; the farm group is in the left background.(1927)

  Thomas M. Hodgons of Montana originally purchased this tract a few years ago and subsequently formed the company which had intentions of developing the land on the lines of the Piping Rock Club.

  The Ryan estate sold 150 acres at $1,000 an acre. A fourteen-acre gore at $3,000 an acre was purchased from Richard Derby(surgeon), son-in-law of the late Theodore Roosevelt, whose family at one time owned the bulk of Lloyds Neck.

  The land acquired is rugged, rolling country, heavily wooded, and adjoins the 500-acre estate of William J. Matheson of the National Aniline Company.
  
  Last month Mr. Field purchased as a site for a city home the four private dwellings at 3 and 5 East Sixty-ninth Street and 4 and 8 East Seventieth Street. The entire plot has a frontage of 60 feet on Sixty-ninth Street and 52 feet on Seventieth Street, the depth being 200 feet. George McAneny, Chairman of the new Transit Commission, lives in 6 East Seventieth Street, under a lease which still has a year to run.
  

Follow THIS LINK for more on "Caumsett".

"Lets give a party!" - The Motto of Fabulous Elsa Maxwell

A HOUSE IN FLORIDA - IRVING T. BUSH RESIDENCE

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 ***Located near the highest point in Central Florida, Mountain Lake Estates was first developed in the 1920s as an exclusive residential area created "to attract the nation's business elite." The developers hired Frederick Law Olmsted, Jr. to design the community. Wealthy "snowbirds"such as Edward W. Bok, August Heckscher, and Irving T. Bush subsequently established winter homes in the area. Noted architect Wallace Neff, known for his celebrity clients' mansions in southern California designed the Bush home, one of his few commissions outside California***

  THE SHUTTLE OF  TRAVEL  WEAVES A SUBTLE WEB  THAT  UNITES  CALIFORNIA'S SOUTHLAND WITH THE EASTERN STATES AND MAKES IT A PART OF THE GREAT MIDDLE WEST.

  IT IS NOT SURPRISING THEREFORE TO FIND OUR ARCHITECTS DESIGNING HOUSES TO BE BUILT IN FLORIDA AND INTRODUCING TO THE NATION THE USE OF CALIFORNIAN MATERIALS.

A house in Florida
Wallace Neff, Architect
Pasadena, California
   Built for Mr. Bush by a California architect, this handsome residence carries also a message to Florida from the craftsmen of California; for much of the material used in building it was transplanted across the continent, and the craftsmanship is all our own.

   ***The whole job was very much a California product, as the architect even imported a California interior decorator and a California painting contractor and his crew to Florida at considerable expense, to obtain finishes which craftsmen in that state were incapable of duplicating.***

   This is the fifth house which Mr. Neff has built on the Atlantic side of the country. As a result of the first efforts he realized that we on the Pacific Coast take our Spanish architecture more seriously, and train our craftsmen and contractors to do more permanent work. Our kilns have turned out beautiful tile which have become world renowned. Angula hand-made roofing- tile and Mission floor tile have become household words; and Batchelder tiles have already made good on the Atlantic shores. Where it was not practical to export California materials, Mr. Neff used Florida woods, and plaster from nearer sources; but to do the work he asked the Cheesewright Studio to send their designer of wrought iron and their draperies; and the Bliss Paint and Paper Company of Pasadena, to send interior decorators and painters. As it was in the time of the building of the Gothic Cathedrals, the craftsmen of California are vitally necessary to the architect with whom they collaborate. 

***E .J. Cheesewright (1880-1957) was the foremost designer of residential interiors in Southern California during the 1920's.***

IRVING T. BUSH RESIDENCE
    ***The house is much cleaner and simpler than the work of the 20's Florida architects, who tended to stick undigested bits of European ornament onto their designs. The beautifully proportioned white-walled, tile-roofed house has imagination; the flat, featureless site was made interesting by building very high walls which ran out from the house and linked the structure to the grounds. The gardens became a series of interesting differentiated spaces. The building itself was one of the first in which Neff began to display the almost classic restraint which was characteristic of some of his most interesting work of the late twenties.***

IRVING T. BUSH RESIDENCE
    ***Bush's married daughter lived in Pasadena, and when he visited her in the early 20's, he was impressed with the work of the California Spanish school of architects and especially with the houses of Wallace Neff.  Neff, delighted at the chance to build out of state, produced one of his best designs.***

Interior,   Irving   T. Bush House , Florida
The Cheesewright Studios, Inc. Decorators and Furnishers
 PASADENA, CALIFORNIA 
  
LOOKING ACROSS THE HALLWAY OF THE IRVING T. BUSH HOUSE, OF WHICH THE PICTURE ON PAGE 2 GIVES THE MAIN AXIS. THE TRIPLE SIDELIGHTS OF HAND WROUGHT IRON AND BRASS USED THROUGHOUT THE HOUSE ARE THE PRODUCT OF THE WILKINSON-SCOTT COMPANY OF PASADENA, CRAFTSMEN IN WROUGHT IRON AND CO-WORKERS WITH THE ARCHITECT, E. WALLACE NEFF, PASADENA

THE DRAWING ROOM OF THE IRVING T. BUSH HOUSE AT LAKE WALES. FLORIDA. WALLACE NEFF, PASADENA, ARCHITECT. LIGHTING FIXTURES BY WILKINSON-SCOTT  COMPANY   PASADENA;   PAINTING   BY BLISS  PAINT COMPANY AND HANGINGS BY CHEESENRIGHT STUDIOS PASADENA. PHOTOGRAPHS BY ALEXANDER, LAKE WALES, FLORIDA

A GLIMPSE OF A FLORIDA LAKE SEEN THROUGH THE WINDOW OF THE DINING ROOM.   THE FLORIDA HOME OF MR. IRVING T. BUSH, LAKE WALES. WALLACE NEFF, PASADENA, CALIFORNIA, ARCHITECT

A WOODLAND SCENE IN FLORIDA, BACKGROUND FOR THE BUSH HOUSE.    WALLACE NEFF, ARCHITECT, PASADENA, CALIFORNIA.    PHOTOGRAPH BY COURTESY OF CHARLES B. HERVEY, OF PASADENA, CALIFORNIA AND OF FLORIDA AND MEMBER OF MANY ORGANIZATIONS IN BOTH STATES

    IRVING T. BUSH was a business tycoon with imagination and taste. He parlayed the family fortune into something considerably bigger by conceiving and building the Bush Terminal in South Brooklyn, New York, a very early industrial park which covered 30 city blocks and had no less than eight piers and 125 warehouses as well as manufacturing facilities.  

   
wikimapia location.

BING 

MORE on Irving T. Bush and his wife. 

Bush Tower in New York City.

MOUNTAIN LAKE ESTATES website.

"BUENA VISTA" OLD GREENWICH, CT

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     “Buena Vista” - GOOD VIEW

WE present “Buena Vista”, residence belonging to E. Hope Norton, Esq., of New York, also built by Mr. Sawyer, and designed by E. E. Holman, architect, 1020 Chestnut Street, Philadelphia, Pa. 

A SPANISH RESIDENCE AT "HILLCREST MANOR", STAMFORD, CONN.
Sawyer built "Buena Vista" as his home, before developing the surrounding land into Hillcrest Manor, a private community of 16 homes, eight that still exists. He sold the homes for $10,000 up to $100,000 -- about $2.5 million in today's dollars.

   ***This palatial Italianate villa was designed in 1900 so that the view from the towers would be reminiscent of a Mediterranean village. In the 1890’s, the area known today as Hillcrest Manor was developed by Joseph Dillaway Sawyer, who was noted for his large and exotic houses. With its roof of red tile, it stretches a full city block with its length of 228 feet, and was built to fit the contour of the ground. The park-like property extends over 9.72 acres and is comprised of rolling lawns and old trees. “The Towers”, as it was also called, was once one of the show places of Greenwich. A winding drive bordered by beautiful blue spruce leads to this Moorish castle. Guests at one time were welcomed thru a porte-cochère up the broad stairway and into its hospitable halls. Today, the mansion is in disrepair and is being offered primarily for its land value. This property is on the market for the first time since 1957.*** 


   For more than a half-century, the house was home to Laura Grey Morgan, along with her husband, J. Robert Morgan, until his death in 1988. With no massive renovations or updating, much of the house has fallen into disrepair. The listing agent is only opening five of the home's 38 rooms to visitors due to concerns about safety.



"BUENA VISTA", A  RESIDENCE AT  HILLCREST MANOR, CREENWICH, CONN.
MRS. E. E. HOLMAN, ACHTECT.
   
  "Here is shown 'Buena Vista', which, with its length of 228 feet, stretches a full city block. It is built to fit the contour of the ground. When I first bought the farm and named it Hillcrest, I walked out on these ledges and planned to sometime tie the lichen-covered stone outcroppings together with a Moorish castle. After years of waiting and a score of months of continuous labor the castle, with stucco sides, and roof and towers of tile, at last crowned the hill, welcoming guests and owner through archway, up the broad stairway, and into its hospitable halls. Extravagance in paneled wainscot and beamed ceiling ran riot, as in leaded lights, arch-windowed turrets, and the copper-flashed, tiled roof, viewed from the lookout of which "Buena Vista" seemed like a miniature city." Joseph Dillaway Sawyer


FIRST FLOOR PLAN
   

  Boasting stone fireplaces intricately designed with carved lions and family crests, elaborate chandeliers hanging from the 10 1/2 foot ceilings and stained-glass windows flooding the stairways with sunbeams.


SECOND FLOOR PLAN


  “Buena Vista" is a dwelling treated in the Spanish and the Italian style of architecture, with the attractive picturesqueness of the East, combined with the best that the modern civilization of the West can furnish, and is. as all good architecture should be, a color creation as well as a form creation. Its extensive roof, of bright red Spanish tile, its Portland cement sides meeting the green turf and lichen-covered ledge, its buff colored brick corners, trimmings, and chimneys, its turrets, arches, and balconies, and its quaint windows, form a color scheme that harmonizes attractively with rocks, trees, shrubs, and sky. The house was built to conform to the site, and to the beholder has the rare quality usually so foreign to a new house of antiquity, instead of the garish newness naturally belonging to its brief existence. "Buena Vista" was only a complete possibility on account of its location, in the center of ten acres, some thirty or more feet above the King’s Highway and about 700 feet distant, it being literally perched on a rocky cliff following the gradual fall of the ground, until it covers in length about 230 feet. 


"BUENA VISTA", A  RESIDENCE AT  HILLCREST MANOR, CREENWICH, CONN.
MRS. E. E. HOLMAN, ACHTECT.
The home, which was built as an extension of the ground's contours, is a symbol of Greenwich's opulent past.

SOUTH AND WEST FRONT.

SOUTH AND WEST FRONT.

SOUTH AND WEST FRONT.

SOUTH AND WEST FRONT.

SOUTH AND WEST FRONT - TODAY.

   The house has four entrances, one is approached by a narrow walk leading over the ledge to the Spanish arched entrance and wide veranda that overlook valley and Sound. Another very effective entrance is from the garden side, up a massive flight of some fifty artificial stone steps to the veranda leading to billiard-room and den. The main entrance is from the “carriage porch,” through an arched passageway intended as a palm gallery. The staircase hall is finished in quartered oak, as is also the staircase, with its carved newels and paneled soffits. This hall is provided with stained glass harmonizing in color and design with the style of architecture. The main windows throughout the house are plate glass, and the upper sashes are leaded in artistic designs. The window and tower plan, as shown in the illustrations, will bear close scrutiny in the varied design of casement, belvedere, arch, and curve, which give variety and uniqueness to the whole. 

   "In Buena Vista were picture windows so large and heavy that they could not be conveniently opened, a remembered lesson to me. When I again tackled 8x8 foot picture windows they swung on pivots inserted in top and bottom or on either side. Fortunately, windows were so numerous in Buena Vista that stagnant air was unknown." Joseph Dillaway Sawyer


"BUENA VISTA", A  RESIDENCE AT  HILLCREST MANOR, CREENWICH, CONN.
MRS. E. E. HOLMAN, ACHTECT.

SOUTH AND EAST FRONT.

SOUTH AND EAST FRONT.


SOUTH AND EAST FRONT - TODAY.

THE NORTH FRONT.

THE NORTH FRONT.

THE EAST FRONT - TODAY.

THE NORTH FRONT - TODAY.

THE NORTH AND EAST FRONT.

THE BLOCK-LONG TILE ROOF.
  
 "I believe that Tennyson, with his love for tile, as against 'slated ugliness', would have appreciated that roof, though it will be decades before it takes on its northern slope the moss-grown shades that pleased the poet. One can, of course, use tile in much less glaring colors, and in so doing span a century." Joseph Dillaway Sawyer

SIDE VIEW OF THE EAST FRONT - TODAY.

  
   From the entrance hall at the left is the reception-room, finished in gold leaf and enamel-white woodwork, with pink walls; the hardware of this room is gold plated. The great hall is 20x30 feet, finished in quartered oak, with high wainscot, beamed ceiling, and mantel; the hardware is oxidized silver, which, in connection with regular bronze, is used through the remainder of of the house. The dining-room, 25x25, is wainscoted and finished in flat oak, with two elaborate curved front glass and china buffets, connected by a broad oak settle, constructed to harmonize with the woodwork. A butler's pantry, with lift, adjoins it, and is wainscoted in pine, natural finish. The library is 25x25, is finished in mahogany, and furnished with a series of observation windows. This room connects with billiard alcove, which has settles and broad windows leading to north balcony. The billiard-room, 18x23, is a charming apartment, the trim a sen green***greenish-gold***, with vivid red walls of Japanese grass, open fireplace, large picture window, and veranda; the outside staircase leads directly from this room. The bachelors’ suite, including the den with its cozy fireplace, tiled bathroom with shower, and four bedrooms complete the main floor. All the servants' quarters are on the floor below this; they consist of four large bedrooms, and bath, laundry, kitchen serving pantry with sink, kitchen, servants’ hall, and servants’ veranda, wine closets, housekeeper's rooms, boiler room, and cellar. And still below this floor are two large rooms for the men servants, with toilet; and below this again ample cellar and storage room is made possible by the steep fall of the ledge on which the house is built. The third story contains the family bedrooms, two baths, a nursery, a conservatory balcony, and a large linen closet, with windows for ventilation, shelved and drawered to suit the most particular housekeeper. The fourth story contains the main tower, lookout room, an open tower balcony, and three large rooms. There are separate flights leading to the different towers, four in number, from all of which, as well as from veranda and windows, are extensive views of valley, hill, and Sound. The finish and decoration of “Buenu Vista” are the best.


THE HALL IN "BUENA VISTA".
"Hardware in the reception room was gold plated ; this was not extravagant and never needed polishing."
Joseph Dillaway Sawyer
   
   The main rooms of first and second stories have hardwood floors of quartered oak or selected maple. Closets and presses have been built wherever possible, and the first floor contains settles in every available place; elaborate wooden coves to match the woodwork are built in the main rooms on the first floor; the bedrooms are hung with the latest designs in suitable cloth decorations. "Buena Vista," within and without, contains the best that the modern artisan can evolve for the comfort and satisfaction of its occupants. It is completely wired for electricity, has an extensive gas plant that lights every portion of the building, stable, and verandas; it has speaking tubes and electric bells, and a steam plant that heats the entire building; the water supply is ample, both in house and stable, and every prominent room in the house is provided with an open fireplace and mantel. The stable is complete in its arrangement and sanitation, three stalls and two box stalls, horse trough, harness closet, etc., two hay lofts, a coachman’s room; stable is finished in hard pine shellacked. As an indication of the size of "Buena Vista," it is 230 feet long, contains seventeen different flights of stairs, and 160 windows. Even considering its size, it is so arranged that certain rooms or wings can be closed and the house brought down to the requirements of a moderate sized family.

ENTRANCE.

WINDING DRIVE - TODAY.

  The main road through the property, nearly a mile in extent, is bordered almost its entire length with the Arboretum, which contains over one thousand varieties of hardy shrubs, trees, and plants.

Sawyer planted hundreds of trees, shrubs and flowers.

STABLES.
 
     Joseph Dillaway Sawyer was a salesman for his father's dry goods commission business and for others in the same field, commuting regularly from New York to Boston. Sawyer purchased the 78-acre farm of Sabina Bowen, widow of William Bowen, in Old Greenwich, on July 31, 1886. He renamed his country property, for which he paid $8,500, "Hillcrest Farm".  

STABLES

   The income from the sale of the milk produced by his 40 Dutch belted cows averaged $450 monthly. He boarded horses and raised Angora goats, Merino sheep, Black Berkshire and White Yorkshire pigs, chickens, ducks, geese, guinea fowl, carrier pigeons, bees, rabbits and a peacock for decor. He also cultivated the potato and hay fields. In his spare time, Sawyer also wrote a two-volume biography of George Washington, "The Pilgrim Spirit", and "History of the Pilgrims and Puritans".


THE ORIGINAL "HILLCREST FARM".
    
AFTER MODERNIZATION.
Later renamed "Hillcrest Homestead" when Sawyer turned to land development.

At one time Sawyer owned 250 acres of land in Greenwich and by 1911 had built some 30 substantial residences, most of them to his own designs, in this area and along  the shoreline of Long Island Sound. After 20 years of farming, the Sawyers moved the farmhouse(by oxen), making room for "Buena Vista".  Sawyer turned to real estate development, seeing a potential in building large summer homes for New Yorkers.  Sawyer had subdivision in mind. He partnered with Evermont Hope Norton, a Wall Street broker and railroad executive to develop "Hillcrest Manor". They later were to develop the Tokeneke Association, a secluded residential neighborhood on the Darien shore, where some of the most beautiful real estate on Fairfield County's Gold Coast can be found.

It appears Norton took over Sawyer's first build when they joined as partners and Sawyer went on to build another home.

"HILLCREST MANOR"
It is an ideal location for a settlement, and upon it Mr. Sawyer has constructed a series of artistic houses, built in different styles, which harmonize with the surroundings.


"HILLCREST HOMESTEAD"
ITS FINAL RESTING PLACE.

 Sawyer's family had been in America since at least the time of the Revolution. Sawyer's great-grandfather, William Dillaway, fought at Bunker Hill and Sawyer himself claimed to be a descendant of Massachusetts Gov. John Winthrop 


"BUENA VISTA" - A SPANISH VILIA, NEAR STAMFORD, CONN.
Designed by Mrs. E. E. Holman. 


    THE AMERICAN MAGAZINE  Mrs. Emily Elizabeth Holman, of Chestnut street, Philadelphia, occupies rather a unique position among architects. She has designed pretty nearly everything except office buildings—theatres, hotels, stores, and city and suburban residences. She has won a wide reputation for quaint and unusual Summer cottages, which have the merit of being convenient and comfortable, as well as cheap.

  Few of those who do business with "E. E. Holman, Architect", suspect that these initials stand for a woman who has practiced her profession for eight years and whose houses are in every State of the Union, except Mississippi, including, too, Summer houses in Canada and only recently a house built in Jamaica, British West Indies, the material for which was mill-made in this country and shipped there. 

    But the work which Mrs. Holman considers her best is "Buena Vista", a villa in the Spanish style built upon a hill near Stamford, Connecticut. It is a striking instance of the possibility of making a house "climb gracefully down-hill." There is a drop of from twenty to fifty feet between its two ends and quite a drop at the porte cochere. This is built low, and stairs inside go up between arches filled with glass, which form a palm house. The front and main side entrances have curiously carved doors, modelled somewhat on those of Spanish churches. There is a large entrance hall with a stair tower and a reception room opening from this hall, all of which are Moorish in decoration. The living hall is an immense room panelled in white, to increase its apparent size, and with two large windows filling all of the north end, except that portion occupied by the fire-place, and commanding a most magnificent view. The long corridor, with outside balcony leading to the curved stair, has below it a billiard room and a smoking "den" back of that. The communication between library and billiard room is made through an artistic lobby with descending steps. From the billiard room, stairs go up to the tower, which like all the others affords a splendid view of the surrounding country. This is a magnificent house, on a commanding site, and Mrs. Holman is prouder of it than of any other of her designs.



  
    Early in its history "Hillcrest Manor" had a number of multi-acre estates, each lavished with a mansion and several outbuildings, from guest cottages to servants' quarters.  Today, Hillcrest Park is a 69-family private association, run by volunteers.

wikimapia

BING

historicaerials 1934

Additional photos can be found HERE.

A HOUSE OUT OF FRANCE - AT BROOKVILLE, LONG ISLAND

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   THE SPIRIT OF OLD FRANCE TAKES ROOT AND FLOURISHES ON LONG ISLAND IN THE EIGHTEENTH CENTURY CHATEAU OF THE THOMAS L. CHADBOURNES, OUT AT BROOKVILLE BY COUNTESS DENISE DOLFIN



The traditional cobbled courtyard, the precision of shrubbery, the classic facade, not too classic—Diego de Suarez, architect and decorator, has re-created in our casual times, all the formality of an age that worshiped the god of form.


   WANTING a house in France, and wanting France in a house, are not the same thing—but they very nearly are, here in the home of Mr. and  Mrs. Thomas L. Chadbourne, at Brookville, L. I. For although the place is some three thousand miles and two hundred years removed from the court of the Sun King, one still feels as if the ancien regime were smiling on it—perhaps from the skies, or wherever it is that Good Old Times go when they die. At any rate, I'm sure the spirit of Old France was very close when Diego de Suarez was designing the charming rooms looking out on stately gardens and reflecting pools. It still hovers there.

   The illusion of the 18th Century is complete, but it is not entirely due to architecture and decoration and the sorts of things you can put your finger on—part of the effect is derived from the personality of Mrs. Chadbourne. To leave the highway and stray into the Chadbourne gates, is to leave these United States. So much so that almost without thinking you are apt to begin to chat with your hostess in French, and are no more surprised when she replies in the same language than if you had stepped on the soil of La Belle France itself. The house inside, the exterior, and the gardens are all true to the period, but never to the point of slavishness; Mrs. Chadbourne's definite individuality and ideas take care of that.

Each terrace has its mirror of water, to catch and give back all the changing lights of the day, or the night, too. And then the plaisance sweeps off endlessly into the horizon, a brilliant carpet of green, patterned by shadows of the bordering trees.

    Into these surroundings, she likes best to gather her friends together for week-ends—a gracious hostess, but better still, a clever one! It is truly an art, that a guest be never conscious of being engineered into something or other,—anything, just to be kept moving. Here, one moves or not, as one wishes. For the energetic ones, there is tennis and swimming and riding; in all of which sports the hostess herself excels. For those less vigorous, there are endless numbers of cosy nooks and corners in the gardens; thoughtfully equipped with back-easing chairs, where a book may be enjoyed in splendid comfort, and more often than not, one has the vantage point of a pool to refresh the vision. Mrs. Chadbourne's parties are scarcely ever large, as large parties go. Her only venture into the realm of quantities was when she presented Palm Beach (practically all of it) to Princess Aspasia of Greece, and that was a party, par excellence. But six or eight persons, or at most ten, please her better—each person is an entity to her then, and not just part of a crowd.

    She is a vitally modern hostess, for all her rather reminiscent graciousness, which goes so well with her home—alive and original, as a modern hostess should and must be—the sort of hostess and the sort of house which makes you feel that backgammon or ping-pong, or chess or even tiddle-de-winks, if you like it, is quite the thing—but if you heard faint strains of a minuet, you wouldn't be surprised either.

 
   Looking down from the gallery and across the library one gets this unusually impressive view of a room which achieves the rare qualities of sumptuousness combined with comfort. The soft fawn-colored rug, in conjunction with the walnut paneled walls, makes an ideal background for the old blue and rose of the Louis XV needlepoint chairs. The south windows look out upon a rose-colored marble plaque d' eau (plate of water), a leaden figure in the center, sending high its jet of crystal water.


    Another corner of the library, showing the bookshelves which tower fourteen feet to the ceiling, and cover the entire north wall, while the tapestry and fireplace make a pleasant break in what might appear to be too literary a background. The iron gallery, halfway up, has its obvious uses, and is reached by a hidden stair, tucked away behind a secret door in the rank and file of the bookcases. The Louis XV marble mantel holds only one choice ornament, a terre cuite bust, typical of the 18th Century.

Mrs. Chadbourne's drawing room, with its old French blue furniture, walls of rose and pale gray, is dominated by the lovely portrait, by Elaine Vicaja, of herself and her two little daughters. The same colors—rose and blue with pale gray—are found in the bedroom, but here they have a bit warmer feeling, perhaps, achieved by deft touches of apricot and yellow.
   
   A BACKGROUND OUT OF THE PAST MINGLES WITH THE PERSONALITY OF THEIR OWNER, IN THESE TWO ROOMS



   This property is a real mystery - The house obliviously existed  because here it is in black and white. Until I found this article I never knew it existed and never heard of Thomas Lincoln Chadbourne. The SPLIA book makes NO mention of Diego de Suarez involvement in designing this house. The Spinzia book does have Chadbourne listed but they do not note the architect and they were "unconfirmed" on if it did still stand. 

   Chadbourne sailed on his yacht "Jezebel" in 1928 to write his autobiography with no mention of having this house built(he died in 1938 without updating). The above article is from 1932 so you can guesstimate a build date. The kicker is the house that now stands where Chadbourne lived is where Diego Suarez and Evelyn(Marshall)  Field built their home with help from Architect Frederick Rhinelander King  in 1952. Did the original structure burn???

   Coincidentally one of Chadbournes law partners had handled Marshall Field III's fight to break his grandfathers will that gave him only $30,000 a year(at the insistence of his wife Evelyn). They settled for $70 million out of $150 million.(He received the rest when he turned fifty). Is this the connection that brought Suarez together with Chadbourne???
   
Dolph & Stewart 1939 

Maps Collection, Stony Brook University Libraries - 1938

Maps Collection, Stony Brook University Libraries - 1947

HistoricAerials.com from 1966 - wikimapia location

Thomas Lincoln Chadbourne (1871-1938)

   
   Thrice married, endowed with a handsome and striking physical presence (he was six feet seven inches tall and had a determined and aggressive personality), it was foreordained that he would rise to the top in whatever field he chose to pursue. He began practicing law in 1893 and by 1903, upon moving to New York, he became one the country’s top business lawyers, counsel to over 150 of the largest corporations in the country. At the time, antitrust laws had only recently come into being, railroads were still being constructed, and the diesel had not yet replaced the steam engine. It was an era when large-scale corporate mergers and consolidations were not viewed with misgivings by governmental agencies. 

   In the 1920s, Chadbourne masterminded a merger of New York City’s subway, train and streetcar firms and became the City’s “traction Czar.” During its first year Chadbourne joined the Council on Foreign Relations, an elitist think-tank of wealthy Americans that still wields great influence over government policies. He was one of ten voters that unanimously voted to to incorporate Brookville in 1931. 

  A genius for political fund-raising, he had been one of the most influential members of the Democratic Party ever since the Woodrow Wilson Administration(served as a "dollar a year man" holding the office of vice-president War Trade Board). He gave Alfred E. Smith more than $400,000 in cash and stock options while Smith was Governor of New York hoping for approval for an increase in the subway fares. That interaction led to a judges imprisonment for accepting bribes while on the bench in one of the worst scandals in the history of the American judiciary.

   Chadbourne's most notable achievement during the last decade of his life was his transatlantic negotiation of a plan to restore stability to the international sugar market. Fortune magazine called the plan "one of the greatest ventures ever undertaken in business diplomacy." For his efforts, in 1931 France made him an officer of the Legion of HonorHis name has been perpetuated in the present New York City firm of Chabourne & Parke, LLP.


Chadbourne's yacht, "Jezebel", a 175-foot oceangoing vessel with six staterooms and a crew of 28. 


COUNTESS DENISE DOLFIN

   "A designer in New York and Paris, Countess Dolfin has had wide experience in the world of fashion. And because of her belief that "you're as young as you dress", she is currently touring the country as commentator for a series of fashion shows featuring 'that radiant look'...a look, as shown in Harpers Bazaar, you can have your self." DESERET NEWS AND TELEGRAM, Salt Lake City, Wednesday, February 24, 1954

   Who Denise Dolfin was and how she became a Countess are unknown to me.

   The only other bit of information I've found relates to a friendship between the Countess and a Miss Maria Lawrence-Wetherill. "They formerly resided here for several years(Palm Beach), and now live in Southampton. L. I."

"THE HEDGEGROW" Locust Valley

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"THE HEDGEGROW" Locust Valley

     The Pleasants Pennington house in Locust Valley, L. I., proves that modernism does not necessarily involve the use of corner windows, iron pipe railings, and cantilevered roof terraces. Comfort, utility, and economy, the watch words of the modern movement, are all present in this residence, with its large windows and its cool, high-ceilinged rooms. The flat roof is economical and eminently practical, making possible a large, evenly distributed air space over the bedrooms, which is ventilated through flues in the chimneys. These can be shut off in the winter, making the house equally comfortable in winter and summer, and the plan throughout has been conceived with this double purpose in mind. The exterior, painted a delicate shade of yellow and recalling the simpler French residences of the early nineteenth century in its symmetry and proportions, fits gracefully into the residential tradition without being in any sense archaeological. Pennington & Lewis, architects

The dwelling is two stories at its center with single-story wings, one for guests and one for servants. The smooth brick exterior walls of were painted creamy yellow and left to ageTrees in perfect alignment border the main approach, a white gravel court that runs the length of the house and is balanced at opposing ends by a pair of tiny square outbuildings containing a garage and Mr. Pennington's workshop.

The main house consists of four bedrooms, two upstairs and two down, a dining room, and a sizable living room. An oversized paneled front door, painted black, opens to reveal a pleasant hall with vaulted ceiling. Sited in the hall's left corner is a graceful curved staircase under which a tiny rounded door leads to the staff kitchen. The entire first floor centers on the living room, the main space for indoor activity. A large crown molding of egg-and-dart motif runs along the top of its 12-foot high walls. The walls are flat with little molding, all their detail painted in shades of gray.  The west wall houses a faux-marble fireplace at its center. To the left of the living room is a small, elegant dining room. 


Three floor-to-ceiling triple-sash windows face south, overlooking the back terrace and gardens. A tiered clearing, which fans outward from the rear terrace, creates a vista to the south. There, gardens containing fruit trees, beehives, grape arbors, and an octagonal ornamental pigeon house provide country charm and visual interest.
On the Pleasants Pennington estate at Locust Valley, L. I. such a utilitarian feature as a dove cote has been made an architectural garden ornament in keeping with the classic atmosphere of the establishment.

Placed in a grove of trees to afford privacy, Hedgerow's gardens included both formal and informal elements. Four life-sized terra-cotta statues of tutelary goddessesFlora. Dora, Cora, and Nora, purchased by Pennington during a European buying trip, stand on a terrace wall facing the house. 

After Pennington's death in 1942 Lloyd Paul Stryker, attorney for Alger Hiss, was an owner.  



THE PIPING ROCK PROJECT


   Decorator Dorothy Draper started a company in the 1920's called the Architectural Clearing House which acted as matchmaker between architects and society clients. Draper and her favorite architect, Pleasants Pennington, had acquired thirty-seven acres and planned to divide them into plots of from two to four acres. By using clever architecture and walled-in gardens, they would manage to make the plots look like large country estates. The smallest house would have three bedrooms and two maid's rooms; the largest house would be twice as big. The landscaping was of paramount importance, for both Pennington and Draper believed that enjoyment of the outdoors was the chief reason for going to the country.


E. Belcher Hyde, Inc. 1927 

   NEW YORK EVENING POST, 1927  The ideas of the development is to  demonstrate that an ideal country home can grace a small place instead of vast acreage being required.

Dolph & Stewart 1939


March 3, 1927

PLANS IDEAL HOME COLONY. Mrs. Draper to Divide Piping Rock Tract Into Small Sites. To demonstrate that an ideal country place can be built on a small piece of property, Mrs. George Draper of 186 East Sixty-fourth Street, social leader, and Pleasants Pennington, architect, of 250 Park Avenue, have acquired thirty-seven acres on the Piping Rock Estate property, near Locust Valley, L. I., for development, it became known yesterday.

   They are dividing the land into plots varying from two to four acres, and are planning to build in the near future several types of small houses varying in size from a small house containing three bedrooms and two maids' rooms up to twice this number. The houses will be of distinctive design and will demonstrate how a small piece of land may be planned with walled-in gardens and orchards. Mrs. Draper and Mr. Pennington plan to build such houses for themselves.

    "Enter the Saturday Night House A Tiny, Perfect Cottage for Week-ends where One Can Dwell in True comfort and Simplicity Solves a Great Problem." Dorothy Draper


   She understood the modern need for overworked and overstimulated upper-class urban dwellers to decompress on the weekends.
  
    Simplest of all is the thatch-roofed, half-timbered cottage with its one large living room occupying practically all of the main space as shown in the plans. It has no cellar, no servants and no real bedrooms. Notwithstanding, it is comfortable and good-looking.


The first plan brings the cost of the Saturday Night House idea within the reach of almost everybody. It has no cellar. It contains only one real room. It plans for no servants, except a visiting gardener, taking for granted that one has placed it sufficiently near to a club or a hotel so that the midday meal will be taken there, leaving only breakfast and supper to be prepared in the house itself. It will achieve its loveliest effect if one can find a beautiful old boiserie (inexpensively?) with which to panel the inside—dark wood, much polished. The floor will be of flags or red tiles, polished again. Copper pots and pans —or those of brilliant enamel, red, yellow or green—delft tiles at the kitchen and around the stove and the sink, the rag or straw rugs, the fire place never without its glowing logs, the peasant china, the pots of flowers on the windowsills give it color, quaintness, charm—the air of those low-ceilinged Breton houses where the whole life of the family has a common center in a single room.

 The kitchen alcove opens  directly into  the living room. With its copper pots and pans, Delft tiles and peasant china it helps to produce the feeling of Brittany's low-ceilinged old houses. 
Here is the opposite end of  the  living  room  with the berth and fireplace.


Simplest of the three is the plan of the thatch-roof cottage. Here are shown the one large room and the garage, bath and little kitchen niche off one end opposite the fireplace.
The Bermuda cottage with its four double masters' rooms, its two servants' rooms and its three baths. You are asked to see in your mind's eye a local couple—a woman who can be simple cooking over week-ends and be laundress through the week, and handyman who is also a gardener of sorts. These are to keep your few possessions speckless, attend to your breakfast and supper, and ensure the fact that you yourself will be free from care under the white roof of your gay little house with its patio, its flowers, its lovely big living room with the inverted tray ceiling and the fireplace that  never goes out. 


The Bermuda cottage with its four double master bedrooms and service quarters, still retains the simplicity which a Saturday Night House should have. Its ground floor shown is so flexible that almost any desired additions may be made to it.


The third house is by far the most sophisticated—as it is, lamentably, the most expensive to build. But it would be so amusing to do that I shall never rest until I have it myself.

That cool white facade with sky blue niches, so correct, so perfectly proportioned in its every detail—that beautiful big living room, fourteen feet high: Can't you just see it—with 1830 woodwork throughout, tall mahogany doors with silver knobs, a black marble mantel for the fireplace, Empire or Directoire furniture, glazed English chintz for the windows, English chintz again for the slip cover of the Lawson sofa.


This last house, of course, calls for something more ambitious in the way of servants than the Bermuda cottage can do with. At best, one would think of a neat English couple—the man a butler-chauffeur, his wife a competent cook. One might spend as much money as one happened to have. But the staterooms should remain staterooms, for in them and in the big informal living room centers the whole idea of the place—never to be taken seriously or one would find oneself with the regulation country house on one's hands, and life would be just what it has always been, without the fillip of the unexpected.


Because of the Crash, the ideal home colony in Locust Valley would never be.


All of the lots created by Pennington and Draper were named after various species of trees. The community bordered the Riding Association trails and the Piping Rock Club, of which all the proposed residents were members, providing access to all the amenities ot a large estate without the overwhelming problems of its cost and maintenance. Maps Collection, Stony Brook University Libraries - 1938

   
    Where Valley Road and Crabapple Lane converge you can see the fan-shaped property of Pleassants Pennington's "Hedegrow". Today the property is called "Chanticleer". 


   The well delineated Valley Road was probably the initial main access into the planned development.  I don't know the specific outline of the original 37 acres. The only other Pennington build was for his neighbor to the southeast, Howland Auchincloss, a whitewashed brick Federal style house built in 1927.  "Appledore" was built for Hiram Dewing(stock broker) around the same time but was designed by Peabody, Wilson & Brown so I can't say if they allowed other architects to get involved.  Northeast of "Hedgegrow" is a Harrie T. Lindeberg  design for attorney Richard E. Dwight(Arm & Hammer Baking Soda money). Whether or not it was part of the development, it appears the Crash affected further plans. According to county records "Exterior walls - special brick. This house was built for Superintendent & main house was never built." Follow the wikimapia link below to see the whole area marked.

HOUSE & GARDEN JULY COVER 1928

wikimapia location. BING.

"Villa Marina" at Roslyn, L. I. The Home of Frank C.Henderson, Esq.

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November 21, 1917

Frank C. Henderson Buys Long Island Estate.

Frank C. Henderson of New York President of the Oklahoma Oil Company, has purchased the George W. Eastman estate at Roslyn, L. I. The property is one of the show places of that section, and is in the immediate vicinity of the estates of Clarence H. Mackay(Harbor Hill), Judge F. K. Pendleton(?), Payne Whitney(Greentree), and Joseph P. Grace(Tullaroan). Mr. Henderson  contemplates making extensive improvements, and will lay out a private nine-hole golf course on the property. Cocks & Willets negotiated the sale.


February 16, 1919

At Roslyn, Frank C. Henderson has completed a new house on the former George W. Eastman property, which he

purchased last Winter. The house was estimated to cost $60,000 and was designed by Warren & Clark, architects.



    "Villa Marina," situated at Roslyn, Long Island, with its surrounding acres devoted to lawns and gardens, is used as an all-year residence.


Entrance Gate and Lodge 

The coloring of the entrance lodge is that of the main home, but it is more formal in type.
"Villa Marina"


On the front or south side of the house is the loggia, or breakfast room, overlooking a broad grass terrace, with its background of trees and a small garden. Birds and growing plants add to the cheerfulness of the surroundings here, with a recently established radio service as a diversion.
    The left wing of the house, as shown above, and of which the loggia is a part, contains all of the guest rooms, which are located above the living-room and dining-room, while the  right wing has been reserved for the owners' bedrooms, study, billiard room and library.

The terraced effect of the roof line is especially noticeable from the entrance driveway.

The dark green of the cedars emphasis the soft Italian coloring of the house-the red of the roof, the pink of the walls, the dull blue of the shutters, and the polychrome decoration over the entrance.
   
  The house is an interestingly developed series of wings, extensions, and galleries, with a variety of color none the less charming because unusual in these northern latitudes.

The gateway from the forecourt to the east terrace gives a glimpse of the dining room facade which fronts a semicircular terrace.
  
Above is shown the north side of the yellow stucco, red-roofed house. With these colorings sea blue blinds are a harmonious note of contrast.

At the rear of the house is a formal garden, overlooked by a shaded veranda that is a room in itself.

In the semi-circular Pompeian bath pergola, at the extreme end of the blue-lined pool, are the dressing rooms.   At the left is the golf course.
 
    The swimming pool is approached by flagged steps with ivy-grown balustrades leading from the Italian garden, and bordered by tall trees. 

Entrance Floor

   Plan of the entrance floor. The arrangement is unusual in having the hall on the floor below the main living rooms, and in the locating of the boiler room, laundry, etc., on the floor with the hall.

Main Floor
    
   On the first floor the living and dining rooms occupy the main part of the house, being flanked on one side by the service rooms, and the other by the family sleeping rooms.


Third Floor
   
   The third floor main house rooms are for guests the wings being given over to the servants quarters.

Old velvets, soft toned brocades, and seventeenth century Italian furniture, lend a pleasant feeling of dignity and restfulness to this spacious room.
 
   
Corner in Venetian living-room.


   In the Venetian living-room the rafters are toned green and decorated to match the flower-painted doors which lead to the dining-room.


Dining-room

Loggia or breakfast room.
Mrs. Henderson's Boudoir.
    Mrs. Elizabeth "Betty" Henderson achieved notoriety at the age of 71 by smoking a cigar at opening night at the Metropolitan Opera in 1947 and was photographed displaying her limbs on a table. 

Mrs. Henderson's Boudoir.
Mr. and Mrs. Frank C. Henderson

   After a year and a half of reconstruction and four years of  living at "Villa Marina" Henderson put the estate up for auction in 1923. Why the short occupation is unknown but he ended up ordering the auctioneer out of his house and the property was offered for sale in 1924. He settled in Palm Beach and died in 1943.

  Currently serves as the Pierce Country Day Camp for children.


Landscaping of the twelve acres was by Hattan & DeSuarez.  Private golf course by noted designer Devereux Emmet.

wikimapia LOCATION

BING


THE  FIRST  GOWN 

   Erte's description of this month's cover translated from the French.

   THE eternal story of the first temptation always interested me, and I used to try to decide on which chords of the feminine soul the Prince of Darkness had to play, when disguised as a serpent, in order to make woman fail into the abyss of disobedience to the Creator's laws.

   Once I dreamed of our ancestor, Eve, and this is what I saw: The serpent which became the embodiment of wisdom, thanks to the Evil One, had commanded the birds, who were in his power, to bedeck Eve with flowers. Although almost entirely concealing her form, her neck and arms were left revealed in quite a modern decolletage and when, finally, the birds encircled her head, suggesting an unusual coiffure, Eve began to believe herself a superior being.

   Urged by the Tempter, she wandered to a mirror-like pool where, like Narcissus, she admired herself, and with primitive coquetry, contemplated her beauty, and the words traced over her pliant body by the serpent—"La Premiere Robe".

   So now I see a charming young person—perhaps one of the readers of these very words—gazing in a mirror, an actual mirror. What she sees, I also see: there are flowers covering her gown, but they are artificial, being merely embroidered. Then, there is an artificial bird in her coiffure—quite different from those which the Tempter summoned to the Garden for Eve. But this modern gown has almost exactly the same decolletage as the first gown Eve wore, and always . . . always, there is the same serpent, invisible to most people, with that diabolic glint lurking in its eyes.



MARSHALL FIELD HOUSE, 4 East Seventieth Street

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MARSHALL FIELD HOUSE, 4 East Seventieth Street. David Adler, 1925-27. View from the south showing rear garden facing East Sixty-ninth Street. 
Follow THIS LINK for more on this property.

LILY POOL AND FOUNTAIN FIGURE Garden of H. H. Rogers, Esq., Southhampton, L. I.

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LILY POOL AND FOUNTAIN FIGURE Garden of H. H. Rogers, Esq., Southampton, L. I.
Olmsted Brothers, Landscape Architects

   Follow THIS LINK for all past posts on the house and gardens from "Black Point".


http://24hoursofhappy.com/

"Summer Moonlight"

Upstairs Lounge Fire

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Images for upstairs lounge fire.



Watch THIS documentary commemorating last years 40TH anniversary of the worst mass murder of Gays in America's history.

http://en.wikipedia.org/wiki/UpStairs_Lounge_arson_attack 

Time magazine subscribers can read more HERE.

WIKIMAPIA LOCATION

https://www.facebook.com/upstairsloungefire

   On Gay Pride Day in 1973, an arsonist set the entrance to a French Quarter gay bar on fire. In the terrible inferno that followed, 32 people lost their lives, including a third of the local congregation of the Metropolitan Community Church, their pastor burning to death halfway out a second-story window as he tried to claw his way to freedom. A mother who'd gone to the bar with her two gay sons died alongside them. A man who'd helped his friend escape first was found dead near the fire escape. Two children waited outside of a movie theater across town for a father and step-father who would never pick them up. During this era of rampant homophobia, several families refused to claim the bodies, and many churches refused to bury the dead. Author Johnny Townsend pored through old records and tracked down survivors of the fire and relatives and friends of those killed to compile this fascinating account of a forgotten moment in gay history.

http://www.amazon.com/Let-Faggots-Burn-Upstairs-Lounge/dp/1614344531

INVITATION TO DUTCH TREAT DINNER AND CIRCUS PARTY AT THE MARSHALL FIELD'S

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    The invitation billed the Circus Party as a "not fancy dress" affair although the guests arrived in black tie and floor length gowns. 



    Marshall Field III was vice President and Treasurer of the Long Island Biological Association, now known as Cold Spring Harbor Laboratory. Second wife, Audrey Jennings (Standard Oil, "Burrwood") Field was known for her spectacular parties. To benefit the Long Island Biological Association, Audrey planned the party which was dubbed "one of the funniest parties of the season" with a circus theme.





   Dinner was served by Louis Sherry’s of New York City on the estates lawns and terraces, which were lit by great flood lights and streamers of multicolored electric lights strung in a festive fashion. During dinner a dance band played. 



   Guests enjoyed dinner and dancing in a gorgeous botanical setting, overlooking L. I. Sound, under the stars. That was only the beginning. After dinner the guests proceeded to another area of the grounds, which had been converted into a Midway for the occasion. At the Midway they were exhorted by society "barkers" to enjoy the various attractions. These attractions, operated and manned by society friends included, "The Freak Show", "The Coney Island Photo Booth", "The Long Island Living Pictures Show", and "The Dancing Well". Other attractions included a Wheel of Fortune, a ride around the estate on a bicycle built for two, walking with the man on stilts, and a visit with the "toast of the talkies", Mickey Mouse.



   Requested in the invitation, guests were expected to have a sense of humor and a certain amount of talent. The guests and their hosts manned most of the booths, and also were the models as well for the caricatures represented in the activities.



   Late night entertainment brought the show indoors. Guests entered the mansion’s living room for the Midnight Cabaret were an impressive collection of show business greats performed.



   The magnificent landscape, seascape and skyscape setting of "Caumsett" was said to "usher in a new era of parties" in the 1930’s. 
  

The Home of Ernest P. Davies at Roslyn, N. Y.

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  The Davies house at Roslyn, Long Island, is not a period house, though it looks like an 18th century colonial. It is personal and polychrome. It is a cream-colored stucco house with Greek columns and Venetian grilles. The roof is peacock blue, and there are cerulean blues on the window frames, black caps on the chimneys, big terra cotta panels over either side of the vestibule, and brilliant terra cotta colors against the buff-colored stucco. Yet it all looks quiet, for everything is in almost the same key and scale. It stands on top of a wooded hill, with an open court to the south surrounded on three sides by the middle part of three stories and the two wings of one story each. The middle part contains on the ground floor the dining room, library, drawing room, and loggia looking out on the court. The southwest wing has two guest rooms and a porch open to all the breezes. The southeast or service wing goes over the hill and has two stories at the back, with a garage below, which gives it an appearance of fitting and clinging to the hill. 


The view, above, of the front facade shows, in addition to the portico, several uncommon features, especially the wide cornice, the recessed second story and the parapet of the wings broken by decorative openings.
RESIDENCE OF ERNEST P. DAVIES, ESQ., ROSLYN, LONG ISLAND. N. Y.
   

   Abundantly styled with decorative elements and colors, the house was executed in light buff stucco with contrasting limestone-tinted cornices and columns. A standing-seam tin roof painted peacock blue complemented the turquoise Venetian grills and blinds and shutters. 

Wrought iron, classical urns, Doric columns and circular medallions have been effectively used in the treatment of the entrance portico. A planting of evergreens gives the house comfortable relation to its site.
RESIDENCE OF ERNEST P. DAVIES, ESQ., ROSLYN, LONG ISLAND. N. Y.
    

   A flat-roof portico supported by fluted Doric columns and flanked by a pair of relief medallions on the second-story dominates the facade. Four classical urns were placed along the front edge of the portico roof, which was enclosed in black wrought-iron railing, forming a balcony off the second-floor front bedroom suite. A belt course running beneath the recessed second story divides the two levels of the central block.


The original terra-cotta panels flanking the front door can be seen above. Note the missing urns and railing above the portico.
RESIDENCE OF ERNEST P. DAVIES, ESQ., ROSLYN, LONG ISLAND. N. Y.
c. 2007

  
Located in the wing adjacent to the dining room is the kitchen, pantry, servants' hall, bedrooms, and porch.
RESIDENCE OF ERNEST P. DAVIES, ESQ., ROSLYN, LONG ISLAND. N. Y.
c. 2007
  
    
The first floor is unusual, with a library located in the middle of the house off the sun room, a small curved stairs and guest rooms and service in the wings.
RESIDENCE OF ERNEST P. DAVIES, ESQ., ROSLYN, LONG ISLAND. N. Y.
   
   Two guest suites and the enclosed south porch occupied the wing off the drawing room.

A courtyard is created by the two wings. One steps off the middle sun-porch on to a brick paved terrace.There is also an enclosed porch at the end of the guest wing. The middle door leads off the drawing room.
RESIDENCE OF ERNEST P. DAVIES, ESQ., ROSLYN, LONG ISLAND. N. Y.
  

   The U-shaped floor plan creates a grassy courtyard accessible from the sun room, drawing room, dining room, guest room, and enclosed south porch. Full-length windows and doors on the first floor and double-hung sash windows on the second floor provided abundant light and ventilation.


Italian architecture of the 18th Century, modified to meet our living requirements, has been used in the design of the house.  The Italian richness of color is also employed—a light buff stucco with cornices and columns of limestone tint, Venetian grills and blinds and shutters turquoise blue, and peacock blue roof.
RESIDENCE OF ERNEST P. DAVIES, ESQ., ROSLYN, LONG ISLAND. N. Y.


LIBRARY
 RESIDENCE OF ERNEST P. DAVIES, ESQ., ROSLYN, LONG ISLAND. N. Y.

   The library is positioned at the center of the first floor and surrounded by the public entrance hall, drawing room, dining room, and sun room.

The owner's rooms are upstairs, three bedrooms with baths and a fourth chamber. Abundant light and ventilation are available, and maximum space.
RESIDENCE OF ERNEST P. DAVIES, ESQ., ROSLYN, LONG ISLAND. N. Y.


  
   A small curved stairway in the entrance hall ascended to the second-floor owners' suites.

Nassau County 1939 Long Island
 Dolph & Stewart, 1939 

    Dean Alvord, one of the earliest large home, developers in the United States, began to sell houses and sites in Roslyn Estates in the village of Roslyn. The area's 263 acres, complex topography, winding roads, and rustic beauty make it unique among suburban communities developed during the early 20th century. Thirty-four houses were erected by Alvord by 1920 in a variety of revival styles. In 1915 one of these houses was built for Mr. Davies with designs by Architect William Lawrence BottomleyErnest Pinckney Davies was a member of the stock brokerage firm E. H. H. Simons and  Co., died in 1934.  Married Marguerite Helene Walbridge, who died in 1966.  She was the daughter of Henry David and Lucy Sivey Walbridge of "Waldene" in Roslyn. The Davies house is one of a few that remains essentially as built. 
  

   wikimapia LOCATION.

   BING.

GALA PARTY PLANNED BY MARSHALL FIELDS

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GALA PARTY PLANNED BY MARSHALL FIELDS

800 Members of Society Accept Invitations to Garden Dinner and Dance.


July 11, 1932

Special to The New York Times. HUNTINGTON, L. I., July 11.—Society on the North Shore is lending a hand in plans for a garden dinner and dance to be given on Saturday***16th*** evening by Mr. and Mrs. Marshall Field at their estate, "Caumsett", at Lloyds Neck, near Huntington, for the benefit of the Long Island Biological Society.

Subscription dinner parties will be entertained at tables on the terrace overlooking the harbor, and dancing will continue all evening. Mr. Field and William Rhinelander Stewart***Jr.*** will be head waiters.

On another part of the estate will be midway entertainments, including a freak show, of which Mrs. Joseph E. Davis will have charge. The stars in this will be the twin sisters, Mrs. Ralph H. Isham and Mrs. Malcolm L. Meechan. Others in the show will be Mrs. Baldwin Browne and Mrs. Baldwin Preston, the former Misses Priscilla and Phyllis Baldwin, also twins; Mrs. Harold E. Talbott, Captain Head and Mrs. John Gaston.

Vincent Astor will have charge of the china-breaking concession, in which society folk will try their skill at smashing plates, cups and saucers with balls.

Mrs. J. Henry Alexandre will direct the fortunes of the money wheel, and Neysa McMein and George Abbott will conduct a living picture show, with society folk as models.


Mrs. Field is being assisted with the general arrangements by Mrs. J. Henry Alexandre, Miss Eleanor Barry and Miss McMein. About 800 invitations have been accepted for the dinner.

Click HERE to view the invitation for this party.

A few of the participants.....


Vincent Astor around 1930
   
    Vincent Astor was at Harvard in April 1912 when word came the Titanic had gone down with his father on board. He inherited $87 million.  In 1957, Fortune magazine said he was worth $100 million to $200 million. He lived only six years after his marriage to the former Brooke Russell Kuser Marshall. His death in 1959 left her in total control of the Vincent Astor Foundation; he had never had children. Astor left $60 million at her personal disposal and a like amount for the foundation. Under her supervision it distributed $200 million. She closed it out in 2002. She died in 2007.


Mrs Harold E. Talbott, nee Pauline "Peggy" Thayer, painted by Savely Sorin in the early 1930s
  
   The daughter of Mr and Mrs John B. Thayer, Peggy was not travelling aboard the Titanic with her parents and brother. Peggy was one of the premier 'It Girls' of the 1920s and went on to marry the wealthy businessman, Harold E. Talbott, who served as US Secretary of the Air Force under Eisenhower. Mrs Talbott regularly appeared on the International Best Dressed List until her death by suicide in 1960. Source

 Mrs. William Rhinelander Stewart Jr. c1940, Jewels from Cartier, Karinska Evening Gown
   Mrs. William Rhinelander Stewart Jr., née Janet Newbold, considered "the most beautiful woman in New York” and was a member of the first Best-Dressed List. Mr. Stewart died in 1945.  In 1948 she married James S. Bush, great uncle to George W. Bush.  Janet's father was Fleming Newbold, President of the Evening Star.

William Rhinelander Stewart Jr. with and Elsa Maxwell and Cole Porter, c. 1934
  
  William Rhinelander Stewart Jr. was a major fixture on the Manhattan nightclub scene. Vincent Astor considered him his closest friend. He was often photographed clubbing with Cole Porter and Elsa Maxwell. Most likely because of the late nights, he never got up before noon. When people telephoned before that hour, his butler was instructed to tell them that “Mr. Stewart is out running around the reservoir.” His apartment at River House boasted the piano on which Gershwin composed the "Rhapsody in Blue".

   The Rhinelanders were premier landowners in New York City beginning in the late 18th Century. The family fortune provided a life of leisure for generations. 

Neysa McMein
by  Nickolas Muray, Hungarian born American artist
   Neysa McMein was an American artist and illustrator. As popular as her male counterparts in capturing The American Beauty (and a beauty herself), she sold millions of mags with her covers for McCall's, Saturday Evening Post, Collier's, McClure's, Woman's Home Companion, Photoplay, Liberty, Associated Sunday Magazine, Ladies World. Ad work: memorably for Palmolive; also Cadillac, Lucky Strike, Adam's Gum, Coke, Hummingbird Hosiery, Gainsborough Hair Nets, Colgate. She painted the first Betty Crocker and updated her through the years. A "member" of the Algonquin club; there and at her studio, she entertained Mary Pickford, Dorothy Parker, Harpo Marx, Jascha Heifitz, Noel Coward, Irving Berlin, Robert Benchley, all while she painted.

Mrs. J. Henry Alexandre, the former Anne Lomis,  at Belmont c. 1929 
  The Alexandre family fortune came from the fathers(Sr.) ownership of the Alexandre Steamship Line. Junior worked as a broker. The family New York City home was located at 35 East 67th Street. Its stable at 173 east 73rd Street. The Alexandre's Long Island estate "Valley Brook Farm".

Miss Elanor Barry
   Eleanor Barry was the daughter of Herbert Barry Sr. and Ethel M. Dawson of "Barrymead", Llewellyn Parks in the Oranges, N. J. She is called Mrs. Lawrence Lowman in her father's obituary. Herbert went to school at Bethel Military Academy and the West Virginia Law School where he graduated in 1888. He worked in several New York Law firms, becoming a partner in Davies, Auerback, Cornell and Barry. He then became a partner in the Wall St. firm of Barry, Wainwright, Thatcher and Symmers in 1913. Herbert was also involved with the American Society for the Prevention of Cruelty to Animals. He was a Colonel in the Calvery Reserve Corp. and was in the S.A.R.


1930 Press Photo Mrs. John Gaston???, Mrs. Dodge Sloane New York Society leaders

1932 Press Photo, Miss Eleanor Barry selling baseballs for the plate breaking games at Payne Whitney estate "Greentree"

   Society girl??? The Fields's circus theme started a trend among society with an annual  fair at the Whitney estate. 

1922 Press Photo Joseph Baldwin, Jr., daughters Phyliss, Priscilla

  The Baldwin twins came from a large family, 8 total siblings, and resided at "Shallow Brook Farm", Mt Kisco, N. Y. Priscilla married Lewis  T. Preston in 1925. She married Thomas Archer Morgan - son of E. D. Morgan, in 1934. Divorced a year later. Twin Phyllis married  Gilbert G. Browne in 1925 and went on to marry J. P. Warburg in 1935.

   Mrs. Ralph Heyward Isham was wife number two. At 24, Mr Isham married the 16 year old daughter of New York City Mayor William Jay Gaynor, Marion Gaynor. They divorced a year later. Gaynor's sister married William Seward Webb, Jr. Webb was the son of William Seward Webb, Sr. and Eliza Vanderbilt. 

  Ralph H. Isham was involved in securities. His father, Henry Heyward Isham was president of the Marietta, Columbus & Cleveland Railroad, and possessor of extensive realty holdings in New Jersey, resulting from a Colonial grant of a large tract between Newark and Elizabeth. His second marriage lasted until 1933. He went on to marry Viscountess Christine Churchill. That lasted only a year. Known for purchasing the "Boswell Papers", which now reside at Yale University.  He died in 1955.

  Joesph E. Davis was a founding member of the Pipping Rock Club. His Upper Brookville Long Island home.

LONG ISLAND CIRCUS TO BE HELD TOMORROW

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Miss Elanor Barry

 Mrs. Marshall Field Will Open Her Lloyd's Neck Estate to Aid Biological Society.



July 15, 1932

Special to The New York Times. HUNTINGTON, L. I., July 14.—Mrs. Marshall Field, who has opened the grounds and gardens of "Caumsett", her Summer home at Lloyd's Neck, near Huntington, several times this Summer for charity, will entertain on Saturday night with a large dinner and country circus for the benefit of the Long Island Biological Society. Miss Eleanor Barry, daughter of Mr, and Mrs. Herbert Barry of "Barrymead", Llewellyn Parks in the Oranges, N. J.; Miss Neysa McMein and Mrs. J. Henry Alexandre are assisting with arrangements.

About 600 members of North Shore society as well as their guests from Westchester and New York will have dinner on the terrace before the entertainment. The tables will be spread on the green overlooking the harbor, the largest of which will seat about fifty guests of Mr. and Mrs. Field. Mr. Field and William Rhinelander Stewart will be head waiters in the terrace dining garden. Mr. and Mrs. Field will have at their table the following guests;

George Gershwin, Harrison Williams, Mrs. Huntington Marshall, Mrs. Payne Whitney, Fred Astaire, Mrs. Ogden Mills, Mrs. Geraldyn L. Redmond, Conde Nast, Mrs. Baldwin Preston, Mrs. Baldwin Browne, Miss Eleanor Barry, Mrs. Clifford Rodman, William Rhinelander Stewart, Captain Head, Jack Kennedy, Mr. and Mrs. Lefty Flynn, Mr. and Mrs. Courtlandt Barnes, Mr. and Mrs. Vincent Astor, Mr. and Mrs. Fulton Cutting. Mr. and Mrs. Bradford Norman, Mr. and Mrs. McCulloch Miller, Mr. and Mrs. James Warburg and Mr. and Mrs. Averell Clarke.

Hostesses at other tables will be:

Mrs. Parker Corning, Mrs. Robert Livingston Clarkson, Mrs. J. Henry Alexandre, Mrs. William Randolph Hearst, Mrs. Walter Jennings, Mrs. Franklin B. Lord, Mrs. Charles G. Cushing, Mrs. Henry Rogers Winthrop. Mrs. Henry C. Taylor. Mrs. Paul L. Hammond, Mrs. Richard F. Hoyt. Mrs. Junius   Spencer  Morgan,   Mrs. J. Gordon Douglas, Mrs. William K. Vanderbilt, Miss McMein, Mrs Woodward Babcock, Mrs. Harold Irving Pratt. Mrs. Herbert Lee Pratt, Mrs. Beekmsn Hoppin, Mrs. Robert Livingston Stevens and Mrs. Robert C. Winmill.

Click HERE to see the invitation to this party. HERE to see the first announcement from a July 11th special to the New York Times. 



The Circus—A New Pattern in Parties

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Leader of one of the most popular dance bands in the United States during the 1920's, Paul Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz". His band played as part of the grand finale entertainment. Click on the video for the music of the era.


Requiring a Sense of Humor, a Generous Supply of Talent, and a Country Estate with the Spacious Charm of "Caumsett"

On the west side of the Main House are the Boxwood and Long Gardens. This area, like much of the grounds, was designed by the Olmsted Brothers with input from Evelyn Field, Marshall’s first wife. Several statues filled the niches in the brick wall that runs along the garden. In spring the apple trees in the garden bloom beautifully, and at the end of the Long Garden is the gate that leads to the never-completed terraced garden.


    JUST when all the variations in parties seem to have been exhausted, some public benefactor thinks of a new one, and life goes gayly on. We all remember the Great Treasure Hunt Era—during which the bright young people swept over the countryside like a horde of Huns, routing the peasantry out of bed to inquire the way to Smith's Cove, or Barker's Corners. And, the Fancy Dress Era—particularly dangerous during its later and more decadent phase, when guests started dressing up as their fellow guests, thereby causing a general deflation in everybody's ego. And of course, before all that, the classic standby of all our more rural hostesses, the Garden Party—chiefly distinguished by picture hats and ominous thunder clouds on the horizon. . . . But now a newer and better day dawns. The circus party is in order, with the famous Dutch Treat Dinner and Circus at the Marshall Field's North Shore estate as its very admirable and amusing example.

A CORNER of the garden at "Caumsett", the Marshall Field estate at Huntington, Long Island. This delightful place was the scene of one of the season's most amusing parties—a dinner and circus given for the benefit of the Long Island Biological Association. As the invitation suggests, the activities were inspired by the sawdust ring, and the big top, ranging widely from a freak show of strictly amateur standing to the perverse pleasures of breaking china without inhibition or apology to the hostess.


   One of the most successful parties of the season, it demanded a glamorous setting, and "Caumsett", with its broad lawns and gracious formal gardens, its stately Georgian house and wide terraces, made a perfect background for the festivity. Four thousand generous acres sweep down to the Sound and twelve hundred guests could not crowd or bustle its hospitable tranquility.

   Nor was there lacking an excuse for the party, for the Long Island Biological Association, of which Mr Marshall Field is secretary, was worthily in need of funds and contributed to the occasion by furnishing the party with a highly commendable purpose.

   Of course, you mustn't misunderstand us. This was not a common or garden variety of circus. Don't look for a general return to the simple life, the naive and ingenuous amusement. Quite the contrary—this circus was a very sophisticated, typically 20th Century variety, revealing all sorts of unsuspected talents for showmanship among the amateur ranks.

   It has now been established beyond the shadow of a doubt that Mr. Vincent Astor, for example, is incomparable as the chief Factotum of a china-breaking booth—that the "Baldwin Twins" can, on occasion, be quite successfully Siamese—that the big top is the poorer for not having Mr. Lucius P. Ordway and Mr. Edward McIlvaine as barkers—and particularly, that a certain wistful painted donkey in the photographic booth will go down in the history of art as bearing on its flanks the unmistakable brush strokes of a genuine Gershwin.




DINNER on the terrace—the first step in the march of events, A gay affair, lit by searchlights and punctuated by the rhythmic enthusiasms of a negro orchestra. Above—Mrs. Frederic C. Thomas' table.

   First, speaking chronologically, there came the dinner—served on the lawn, with Mr. Marshall Field and Mr. William Rhinelander Stewart as the delightfully urbane headwaiters. And by way of further attractions—an open air dance floor with one of those negro orchestras that keep you up on your feet for hours while the consomme grows cold, and the sherbet melts wistfully away.

THE "Baldwin Twins"—Mrs. Baldwin Browne and Mrs. Baldwin Preston—famous for their ability to completely confuse the general public, prove conclusively that they can be quite successfully Siamese when the occasion arises.


Mr. Frank Field as that curious phenomenon, the World's Tallest Dwarf.


Mr. Lucius P. Ordway and Mr. Edward MeIlvaine as barkers extraordinary for the "greatest show on earth".
   After the demi-tasse, there was a general trek to the midway. On with the circus. Come on, ladies and gentlemen, and see the greatest show on earth. . . . Barkers—noise—booths.... To the right, ladies and gentlemen, the Freak Show! Nature will have her little jokes. Consider Captain "Bunny" Head as the Wild Man From Borneo—so fearsomely furry that women cover their eyes, and strong men pale beneath their tan. And Mr. Lytle Hull, the Strong Man —all muscles and mustachios. Also, Mrs. Baldwin Browne, and Mrs. Baldwin Preston being very Siamese. The Two-Headed Woman, looking suspiciously like Mrs. Malcolm L. Meacham, and Mrs. Ralph H. Isham. Mr. Frank Field as the World's Tallest Dwarf. Mrs. Joe Davis as the highly decorative tattooed lady. And finally, Mrs. Harold E. Talbott as one of the most duck-billed Duck Bill Women it has ever been our pleasure to behold. . . .

A MURAL painter at play—Lucinda Goldsborough Ballard, and her delightful side-show caricatures for the photographic booth.  Mr. George  Gershwin, at right, contributed advice  and final touch of paint to the donkey.



MRS. MARSHALL FIELD, Mr. Wadsworth R. Lewis, and Mr. Marshall Field— as the Fat Lady, the Living Skeleton, and the Midget. 
 Mrs. August Belmont, Jr., Miss Peggy Moffett, Mr. August Belmont, Jr., and Mr. Jay F. Carlisle interpret one theme, with variations.

THIS touching little family group includes Mr. and Mrs. Ogden Phipps as the young couple, Miss Eleanor Barry as the Baby, and Mr. Winston Guest as the Innocent Bystander.

Mr. Peter Bostwick as the strong man.
CAPTAIN "Bunny" Head—completely submerged in the personality of the Wild Man From Borneo. So fearsomely furry that women cover their eyes and strong men pale beneath their tan—and quite the most irrepressible of all the freaks at the circus party.
Mr. Lytle Hull, as the “Strong Man”


   And now, ladies and gentlemen—to the left we have the photographic booth, otherwise known as the Coney Island Booth. Have your pictures taken as the Fat Lady, the Living Skeleton, the Sweet Young Couple. Consider how your grandchildren will cherish these little mementos. Observe the quaint charm of this masterpiece—an equestrian portrait of Mrs. Harold Talbott and Mr. John D. Kennedy, familiarly known as "Travels with a Donkey." Or this touching family group, a bit sentimental perhaps, but sentiment makes the world go round—Mr. and Mrs. Ogden Phipps, gazing fondly at the Little One, who the way, bears quite a startling resemblance to Miss Eleanor Barry. Step right up, ladies and gentlemen, and have your pictures taken. Incidentally we take this opportunity to warn you, watch out for the Bicycle Built for Two. It disappeared from this booth two hours ago, and hasn't been seen since. Dreadful rumors reach our ears that this death-dealing device is being wildly driven about the grounds by various mad wags, with no regard for life and limb. We disclaim all responsibility for this Public Menace. . . .

   Leaving the photographic booth behind us, we approach the hit of the show. The Living Picture Booth, ladies and gentlemen. The high spot wit and humor in this stupendous spectacle. Tableaus by Mr. Baragwanath, and Mr. George Abbot assisted by several charming young models. Bits of human drama, in short, ladies and gentlemen—Life. Tragic perhaps, but life is like that. The facts must be faced. Consider, for example, this heart-rending scene—"Her Tragic Honeymoon." The curtain parts and what do we find? But no, we shan't spoil it for you. Let us proceed to the next little scene—"A Bird in a Gilded Cage." The curtain parts and there we find, of all things—a canary bird in a gilded cage—to the complete amazement of the audience and the canary bird. Step right up ladies and gentlemen, and see the Living Pictures. Incidental organ music by Mrs. James Warburg. Step right up. . . .

   And now, ladies and gentlemen, step right this way for the China Breaking Booth! The chance of a lifetime to just let yourself go. Three balls to each person, and all the china you can break. Think of the Financial Situation,—think of the Political Situation,—think of practically any situation, and just let yourself go. Step right up, ladies and gentlemen,—Mr. Astor will give you each three balls.

   But let us pause a moment, ladies and gentlemen. What is this dashing up the road in a cloud of dust. Why the applause? Why all the laughter and cheering? Prepare to be overwhelmed, ladies and gentlemen. Prepare to meet the most famous character of the current American scene, the idol of American childhood, the toast of the talkies—his Royal Highness—Mickey Mouse. Where, my friends, is the teddy bear, once the pride of every nursery? Laid low, ladies and gentlemen, by the Mickey Mouse toys. Where are the movie "shorts'' and Mack Sennett comedies of yesteryear? Driven into oblivion by the conquering hero, Mickey Mouse. And even now, I feel it my duty to warn you that he has come to this party by special truck, direct from the studio, with the dastardly purpose of stopping; this show. Step right up, ladies and gentlemen, and see Mickey Mouse in action. . . .

   And finally, ladies and gentlemen—the grand finale. Step into the living room. Come right along and enjoy the midnight cabaret. Listen to the Boswell sisters,the real authentic bona fide Boswell sisters, ladies and gentlemen. You've heard them over the radio, and now you have the golden opportunity to hear them in person, ab-so-lute-ly in person. Come in and hear George Gershwin at the piano. You all know George Gershwin, the famous composer who "made a lady out jazz" with his Rhapsody in Blue. Also, ladies and gentlemen, you will hear Ramona, the "find of the season"—the recent discovery of Mr. Paul Whiteman, and the bright particular star of the Biltmore Cascades. Ramona will sing and play for you. . . . But, to continue with this all star cast, it is also my very great pleasure to announce that Mr. & Mrs. "Lefty" Flynn will sing, to the accompaniment of Mr. Flynn's banjo. Mr. & Mrs. Flynn's delightful duets are familiar to many of you, and need no further ballyhoo. Also—that Mr. Bradford Norman and Mr. Dick Meyer will prove, with their usual virtuosity, that two pianos are infinitely better than one. . . . And so on, and so on. . . . But the barker grows hoarse.

   A party to end parties, someone called it. Rather a party to usher in a new era of parties. A typical party of these nineteen-thirties where a hostess—or several hostesses—gathers around her all the amusing and fun-loving people she knows, and where every guest contributes his own share to the entertainment.



   "Caumsett", named for the Matinecock Indian word meaning place by a sharp rock.



This is the entrance to the never completed Terrace Garden looking back towards main house.  It was to stretch all the way to the Master's Bathhouse.
The gates today, no longer accessible. 

Sunken Garden beyond the Iron Gates showing Mr. Fields award-wining tulips.
   
Sunken Garden Steps


Sunken Garden Steps

Sunken Garden Steps

Sunken Garden Steps
  
The BING VIEW toady.


Mrs. Frederic C. Thomas and Mr. O. Allen Campbell, one of the officials

    Frederic Chichester Thomas, Sr. was an architect and designed his own home on Long Island called "Woodlee Farm" somewhere along Woodbury Road, in Cold Spring Harbor, now demolished"The Oaces", estate of Oliver Allen Campbell. 


Press photo of Palm Beach FL Society Mr/Mrs Edward McIlvain at the Patio. Mrs. McIlvain is the former Peggy Seyburn, niece of Mrs. Dodge Sloane
Mr & Mrs August Belmont Jr arrive at the Southampton Riding and Hunt Club steeplechase in Southampton, L.I. ca 1935
   
Between 1919 and 1927, Flynn appeared in 40 feature films, often as the lead actor, and sometimes as a sports hero or daring adventurer.

  "Lefty" had a six-week affair with Nora Langhorne Phipps, wife of Paul Phipps of London. They had daughter Joyce Irene Grenfell. The athlete; as it happened, was a guest at the Long Island home of Mr. and Mrs. Paul Phipps.   It wasn't the type of love that is satisfied with a rendezvous now and then. It was a very possessive sort of passion. The couple eloped together to North Yakima, Washington, letting public opinion feel as it liked about it. They stayed for nearly six weeks while Flynn tried to find work as a farm laborer. They nearly starved. They took a train headed east. At Chicago they said goodbye. One went east . . . back to her husband and children. And the other went west(Hollywood). They never saw each other again until 1930, sixteen years later, when they did finally marry. Married and living in Tryon N. C., F. Scoot Fitzgerald was a frequent guest. Nora tried to curb his drinking, with only limited success.


NORA LANGHORNE
Charcoal Drawings by John S. Sargent c. 1907

   Nora's sister was Lady Astor. Her father-in-law, William Waldorf Astor, was the great grandson of John Jacob Astor. He became a naturalized British subject, bought Hever Castle - pouring millions into restoring it, got elected member of Parliament in 1910, raised to peerage in 1916 (House of Lords), and then was created Viscount Astor in 1917. His son won his seat in the House of Commons.  In 1919 her father-in-law died. Nancy's husband succeeded his father as the second Viscount Astor of Hever Castle and he entered the House of Lords, vacating his seat in the lower House. 

   At the time that Flynn came to the Phipps home as a guest, Lady Astor was already winning the prominence that was going to make her the first woman member of the English Parliament. Nancy became a candidate for her husband's  vacant seat and won - the first woman to ever hold a seat in the House of Commons. 

   Lady Astor to Winston Churchill, "Winston, if I were your wife I'd put poison in your coffee." Whereupon Winston said, "Nancy, if I were your husband I'd drink it."


MRS. WILLIAM WALDORF ASTOR
 Profile John Singer Sargent c. 1907 Charcoal on white paper
   
   Another sister, Irene Langhorne, was the original Gibson Girl.  


Charles Dana Gibson recognized Irene as the girl of his dreams and he sketches her the moment that he saw her.

   
   Mr. Lytle Hull(Strong Man) went on to marry the former Helen Huntington Astor(Vincent). They resided at "The Locust".  



THE CASCADES.
 
The Biltmore summer dining garden. This charming and artistic dining garden was situated on  the nineteenth floor of the hotel, with an unobstructed view of almost the entire city. The Cascades was one of the most popular spots in New York during the hot summer months.

   Click HERE to see the invitation to this party. From the New York Times announcing the party(additional information/photos of the guests) on July 11, 1932. Special before the "Circus" from the paper published July 15th.

1,200 ATTEND CIRCUS AT LLOYDS NECK, L. I.

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DINNER on the terrace—the first step in the march of events
1,200 ATTEND CIRCUS AT LLOYDS NECK, L. I. 

   Society Leaders Are Barkers and "Freaks" in Benefit at Marshall Field Estate. 

DINNER PRECEDES EVENT

   Mr. Field and W. R. Stewart Act as Waiters—Proceeds Aid Long Island Biological Society.



July 16, 1932

Special to The New York Times. HUNTINGTON, L. I., July 16.—Mr. and Mrs. Marshall Field were hosts tonight at "Caumsett", their estate at Lloyds Neck, Cold Spring Harbor, at one of the largest and most brilliant benefit entertainments given on the North Shore in many seasons. The large sum realized from the subscription will go to the Long Island Biological Society of Cold Spring Harbor. The guests numbered more than 1,200.

A few of those who attended came on their yachts and moored off private piers or at the New York Yacht Club in Morgan Memorial Park.

Dinner, which was arranged for the sunset hour, was at tables of different sizes set on the green terrace around a dancing platform illuminated with colored lanterns. The long driveway from the entrance, almost a mile away, to the terrace in front of the mansion was also illuminated. The waters of Cold Spring Harbor provided the setting.

Mrs, Field had about fifty guests at her table and Mr. Field served as head waiter, with William Rhinelander Stewart assisting. At Mrs. Field's table were: George Gersawrn. Mrs. Huntington Marshall, Harrison Williams, Mrs. Geraldyn L. Redmond, Fred Astaire, Conde Nast, Mrs. Payne Whitney, Mrs. Baldwin Brown, Mrs. Baldwin Preston. Jack Kennedy, Mrs. Clifford Hodman, Miss Eleanor Barry, Mr. and Mrs. Maurice B. (Lefty) Flynn, Mr. and Mrs. Courtland Barnes. Mr. and Mrs. Vincent Astor. Mr. and Mrs. Fulton Cutting, Mr. and Mrs. G. MacCulloch Miller, Mr. and Mrs. Bradford Norman, Mr. and Mrs. Averell Clarke, Mr. and Mrs. James Warburg, Mr. and Mrs. Ogden Phipps. Mr. and Mrs. James Gwathmey, Winston Guest.

Other Dinner Hostesses.

Other hostesses at tables were: Mrs. Paul Hammond, Mrs. Junius S. Morgan, Mrs. William K. Vanderbilt, Mrs. Parker Corning, Mrs. Richard F. Hoyt, Mrs. William Randolph Hearst, Mrs. Walter Jennings, Mrs. Herbert Lee Pratt, Mrs. Harold Irving Pratt, Mrs. Robert Livingston Clarkson, Mrs. J. Henry Alexandre, Mrs. J. Gordon Douglas, Miss Neysa McMein, Mrs. Franklin B. Lord, Mrs. Charles G. Cushing, Mrs. Woodward Babcock, Mrs. Beekman Hoppin, Mrs. Robert Livingston Stevens, Mrs. Robert C. Winmill, Mrs. Henry Rogers Winthrop, Mrs. Henry C. Taylor, Mrs. Harold E. Talbott and Mrs. Joseph B. Davis.

After dinner the guests wandered through the circus. Up and down the midway were members of society disguised as barkers and vendors of amusement and wares. Vincent Astor was in charge of the china-breaking booth, which proved one of the most popular of the attractions. Hundreds of plates, cups and saucers were broken by the skillful patrons.

The freak show, in charge of Mrs. Joseph E. Davis, was one of the centres of amusement in the midway. In it were Mrs. Ralph Isham and her twin sister, Mrs. Malcolm Meacham; also Mrs. Baldwin Browne and her twin sister, Mrs. Baldwin Prescott, the former Misses Priscilla and Phyllis Baldwin.

Singing Cigarette Girls.

Mrs. Frederick McLoughlin, the former Irene Castle, who was to have danced with Clifford Webb on the cabaret program, directed by Mrs. Field, injured her foot while swimming off the Field estate yesterday and could not appear.

Mrs. Cornelius Vanderbilt Whitney and Mrs. John Whitney, in the costumes of Egyptian girls, strolled about the grounds singing and selling cigarettes from trays suspended from their shoulders.

Miss McMein and George Abbott directed a living picture show, in which their models were prominent in society. They represented famous works of art, ancient and modern.

In the cabaret show, which was continuous, the Boswell sisters, accompanied by Mrs. James Warburg and Mrs. Norman Bradford, sang, and Ramona, through the courtesy of Paul Whiteman, appeared as surprise star.

A well-known Harlem orchestra provided dance music all evening. Miss Eleanor Barry, Mrs. Alexandre and Miss McMein assisted Mrs. Field in the arrangements. 

Click HERE to see the invitation to this party. HERE to read ALL about the event.
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